Backward Glance, Bronze Goat
Using the lost wax technique, all Danusia's bronzes are one-off originals
"The ripped raw edges of Elizabeth Frink; the measured smoothness of Barbara Hepworth; the enigmatic form of Giacometti.; the pared down simplicity of naive folk art."
Delivery by express courier normally with 5 working days of order.
Delivery & Purchase Information
The safe and timely delivery of a client’s original artwork is a key priority for White Court Art, we pride ourselves on the quality of the packaging of the pictures we sell. Over 70% of our sales go to the USA. Specialist Art Insurance is included in final quote as standard.
The transport of your painting will be arranged as soon as full payment has been received and cleared. Tracking numbers will also be forwarded on to client .We endeavor to keep costs as low as possible, as a guide and dependent upon picture size courier costs are as follows:
All import duties and local taxes are the responsibility of the purchaser.
- Free UK Delivery
- Free EU Delivery purchases over £1000
- Free USA and Canada delivery purchase over £1000
- For all other regions please contact gallery
- Dispatch normally within 5 working days
Safe and secure payment methods Payment methods currently accepted by White Court Art are as follows:
- Wire Transfer to UK or USA banks, account details sent upon request.
- Credit Cards: Visa and MasterCard by secure emailed payment link
- Debit Cards
- Cheques made payable to White Court Art Ltd
Unconditional Returns Policy
If for any reason you are not happy with your purchase you can return it within 14 days of receipt. In the unlikely event of damage in transit White Court Art must be informed immediately upon receipt. A full refund for the price of the work exclusive of postage and packaging costs will be made upon return. Clients are responsible for the safe return of the item in its original condition and packaging to claim a refund. We are only too happy to assist in this process and offer advice on sending the artwork back to avoid damage in transit.
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Largely self-taught, I have always been fascinated by form and movement, particularly in animals. Consider the ecstatic abandonment of a running horse or the sleek curve of a bird’s neck.
I work in bronze and ceramic. Through the medium of wax and sensual clay, my work seeks to celebrate movement and fluidity; the “spirit” or “essence” rather than the strictly accurate.
My influences are largely unconscious, stemming from a lifetime of observation. I hugely admire the ripped raw edges of Elizabeth Frink; the measured smoothness of Barbara Hepworth; the exquisite delicacy of the Far East or pared down simplicity of naive folk art.
I work directly with wax or clay, without drawings or models. I find that the medium shapes my work. It tells me what to do; what to make. All my works are one-off originals. The expressionist "Circus" horse series references one of my earliest memories, that of a rocking horse standing proudly in a basement window of my childhood neighborhood of Shepherd's Bush, London.
I am a member of the Black Mountain Bronze group.