Sumptuous, rich still life from one of Britain's greatest artists. These flowers were picked by the artist & painted in his studio, preserving them for ever.
Michael, regarded by many as Britain's greatest living Impressionist artist, is represented in many permanent collections and has exhibited widely : Tate Gallery, Royal Academy London, National Museum of Wales, Royal Cornwall, St Martins in the Field Trafalgar Sq.
Delivery by express courier normally with 5 working days of order.
Delivery & Purchase Information
The safe and timely delivery of a client’s original artwork is a key priority for White Court Art, we pride ourselves on the quality of the packaging of the pictures we sell. Over 70% of our sales go to the USA. Specialist Art Insurance is included in final quote as standard.
The transport of your painting will be arranged as soon as full payment has been received and cleared. Tracking numbers will also be forwarded on to client .We endeavor to keep costs as low as possible, as a guide and dependent upon picture size courier costs are as follows:
All import duties and local taxes are the responsibility of the purchaser.
- UK Mainland Free delivery
- U.S.A. between $30 and $350. Delivery normally within 5 days of dispatch
- European Union between €30 and €150 Euros. Delivery normally within 5 days of dispatch
- For all other regions please contact the gallery for a quote
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Unconditional Returns Policy
If for any reason you are not happy with your purchase you can return it within 14 days of receipt. In the unlikely event of damage in transit White Court Art must be informed immediately upon receipt. A full refund for the price of the work exclusive of postage and packaging costs will be made upon return. Clients are responsible for the safe return of the item in its original condition and packaging to claim a refund. We are only too happy to assist in this process and offer advice on sending the artwork back to avoid damage in transit.
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We are pleased to sell works on behalf of Michael Strang. Michael trained at Wimbledon and Camberwell Schools of Art from 1968 to 1973, studying under David Poole, President of the Royal Society of Portrait Painters, among others. Since then his large body of eye-catching, thought-provoking oils – which include natural and man-made landscapes, seascapes, floral arrangements, flowering fields, hedgerows, still-life and portraits – have become increasingly sought-out by collectors. Widely regarded as Britain's best living Impressionist.
Look carefully at one of his oil paintings and you feel the spiritual imperative that spurs him on to produce wonderful art on a daily basis. He is not a man who has devoted his entire life to painting because it is a job but because, like other masters of the genre, he cannot resist its pull. "A painting is but a prayer; a communication with the very essence of life, and sometimes an answers rises out of unfathomable depths, a voice of silence woven into pigments". Since his "St. Paul on the road to Damascus moment" while looking, as a teenager, at a Constable painting Michael "right there and then decided I had to paint". Over 40 years later he paints daily "it's like a ritual. I often paint from life and the act of painting is such an important experience that it often takes on spiritual significance. It's beyond logical thought".
Michael is acutely aware of his own footsteps continuing along the path of art history; following on and echoing the tradition of some of our great artists in seeking to portray the "impossible mark". He believes "painting is a conversation or dialogue with artists of the past. Paintings grow from the soil of other paintings".
Little wonder that he appears in some of the most prestigious galleries and collections. Private collectors purchase his work to experience the genuine thrill of owning his passionate interpretations of the world around us hanging on their walls and also making an astute future investment.
The National Museum of Wales, The Ashmolean, Oxford, Falmouth Art Gallery, the Royal Cornwall Museum, and Cornwall Council are some of the institutions holding his work. His reputation was much enhanced with The Tate St Ives ‘Porthmeor Beach: A Century of Images’ exhibition in 1995, in which more than fifty of his paintings were shown and brought him much kudos and new collectors of his beautiful paintings.