This warming bunch of tulips in the contrasting blue vase comes from the studio of this highly acclaimed Scottish artist. It would be a lovely piece to hang where it could be seen on cold Winter nights!
Oil on canvas. Framed. signed
Tulips In A Blue Jug
Delivery by express courier normally with 5 working days of order.
Delivery & Purchase Information
The safe and timely delivery of a client’s original artwork is a key priority for White Court Art, we pride ourselves on the quality of the packaging of the pictures we sell. Over 70% of our sales go to the USA. Specialist Art Insurance is included in final quote as standard.
The transport of your painting will be arranged as soon as full payment has been received and cleared. Tracking numbers will also be forwarded on to client .We endeavor to keep costs as low as possible, as a guide and dependent upon picture size courier costs are as follows:
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Unconditional Returns Policy
If for any reason you are not happy with your purchase you can return it within 14 days of receipt. In the unlikely event of damage in transit White Court Art must be informed immediately upon receipt. A full refund for the price of the work exclusive of postage and packaging costs will be made upon return. Clients are responsible for the safe return of the item in its original condition and packaging to claim a refund. We are only too happy to assist in this process and offer advice on sending the artwork back to avoid damage in transit.
Tulips In A Blue Jug
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We are pleased to sell works on behalf of Ruth Addinall. Ruth is a painter and sculptor living and working in Edinburgh, Scotland. She started to paint in her late twenties and has been a professional artist since then, studying in Paris and at the Frink School of Sculpture.
Ruth's work reflects her interest in the rituals of everyday existence, especially those that connect us with our inner selves; like reading, writing, having coffee or simply being immersed in our own thoughts. Her work conveys something of the atmosphere of these moments, in that they remind one of our essential isolation, but are also moments that we recognise as being common to all. She is very much caught up in the mysterious world of painting (creating images) and the wonderful artifice of it all. Ruth's figures and their settings are not realistic but stylised to fit her pictorial world. A couple of phrases from ‘Letter to a Woman Painter’ by Max Beckmann describe well Ruth's feelings about the world of image-making: art as a “disciplined intoxication” and “the fantasy palace of art”, that palace within us which allows us to escape the confines of the external and create new worlds. She paints mainly in oils on canvas, wood, board & paper.
In her own words: "The most meaningful part of the experience of visual art is often the part that cannot be put into words. One can talk about the subject matter, and my subject matter generally comes from moments of everyday life that I would hope most people could recognise, with a strong undercurrent of reference – homage of a sort – to the family of image-makers to which as an artist I feel I belong.
One can also talk about style: I am fascinated by style and use different styles according to the piece I am working on."