Autumn Migration 32” x 50” framed in white satin wood frame tray/ float frame. UV stabilized matt varnish, cert of authenticity on reverse
Delivery by express courier normally with 5 working days of order.
Delivery & Purchase Information
The safe and timely delivery of a client’s original artwork is a key priority for White Court Art, we pride ourselves on the quality of the packaging of the pictures we sell. Over 70% of our sales go to the USA. Specialist Art Insurance is included in final quote as standard.
The transport of your painting will be arranged as soon as full payment has been received and cleared. Tracking numbers will also be forwarded on to client .We endeavor to keep costs as low as possible, as a guide and dependent upon picture size courier costs are as follows:
All import duties and local taxes are the responsibility of the purchaser.
- Free UK Delivery
- Free EU Delivery purchases over £1500
- Free USA and Canada delivery purchase over £1500
- For all other regions please contact gallery
- Dispatch normally within 5 working days
Safe and secure payment methods Payment methods currently accepted by White Court Art are as follows:
- Wire Transfer to UK or USA banks, account details sent upon request.
- Credit Cards: Visa and MasterCard by secure emailed payment link
- Debit Cards
- Cheques made payable to White Court Art Ltd
Unconditional Returns Policy
If for any reason you are not happy with your purchase you can return it within 14 days of receipt. In the unlikely event of damage in transit White Court Art must be informed immediately upon receipt. A full refund for the price of the work exclusive of postage and packaging costs will be made upon return. Clients are responsible for the safe return of the item in its original condition and packaging to claim a refund. We are only too happy to assist in this process and offer advice on sending the artwork back to avoid damage in transit.
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Sarah Pye creates large impressionist paintings, freely and intuitively. There are never preliminary sketches or plans, only a blank canvas, lots of paint and the excitement of an idea fired by an exquisite view or image. With nature’s colour, light and life always foremost in her mind, she drops, dribbles and splashes acrylics with impressionist expression. Many layers go onto each individual piece, working on two or three paintings at a time, due to the necessary drying periods between each layer. Her work evolves naturally and some pieces will be almost pointillist in appearance when complete.
She grew up on Devonshire beaches and by the river in Henley-on-Thames. These experiences coupled with working outside for 15 years as a gardener, meant she saw and felt the seasons change and nature’s responses. Creating dappled woodland lights, atmospheric moorland scenes, vibrant coastal views or an explosion of wildflowers, Sarah’s paintings are a visual interpretation of natural emotions felt, when seeing nature’s never-ending beauty........